The debate about Kantian conceptualism and non-conceptualism has completely overlooked the importance of Kant’s aesthetics. I show how this debate can be significantly advanced by exploring Kant’s aesthetics, that is, the theory of judgments of taste and the doctrine of the aesthetic genius of the third Critique. The analysis of judgments of taste demonstrates that non-conceptual mental content is a condition of the possibility of aesthetic experience. The subsequent discussion of the doctrine of the aesthetic genius reveals that aesthetic ideas (...) must also be conceived in terms of non-conceptual mental content. I finally restrict Kant’s aesthetic non-conceptualism to the way aesthetic perceivers cognitively evaluate artwork, while the doctrine of the genius cannot count as a viable form of aesthetic non-conceptualism. (shrink)

I argue that in his aesthetics, Kant puts forward arguments that help to answer the question of whether he is a conceptualist or a non-conceptualist. The current debate on Kantian conceptualism and non-conceptualism has completely overlooked the importance of Kant’s aesthetics. There are two candidates for non-conceptuality in Kant’s aesthetics. First, non-conceptual content plays a crucial role in aesthetic evaluation. Second, non-conceptual content has a systematic explanatory function in the theory of aesthetic creation of the genius of art. Accordingly, my (...) argument proceeds in two steps: In first analyse the role of non-conceptual content in aesthetic evaluation, i.e., Kant’s claim that aesthetic experience is cognition of a special kind that does not bear on conceptual activities. In then look at the role of non-conceptual content in the genius’s creation of artwork. I argue that art production does not imply conceptual activity and therefore seems to count as a second systematic instance of Kantian non-conceptualism. If my argument is correct, then Kant’s aesthetics implies non-conceptualism with respect to aesthetic evaluation but does not in any objective sense with respect to aesthetic creation. (shrink)

Hegel’s major claim is that true philosophy provides the complete rational cognition of the absolute. Since by definition the complete cognition of the absolute cannot be cognitively exceeded, true philosophy itself must account for the completeness claim. There are three places in particular where Hegel develops this claim: in the Phenomenology of Spirit, in the Science of Logic and in the Encyclopedia of Philosophical Sciences. I explore the different ways in which Hegel elucidates the rational, non-circular explication of how to (...) philosophically conceive of the complete comprehension of philosophy itself, i.e., his philosophy of philosophy or metaphilosophy. (shrink)

In this article I respond to objections that Matías Oroño, Silvia del Luján di Saanza, Pedro Stepanenko and Luciana Martínez have raised against my non-conceptualist reading of Kant’s aesthetics. The objections are both, substantial and instructive. I first sketch my non-conceptualist reading of Kant’s doctrine of judgments of taste and then turn to what I take to be the most important criticisms that these authors have put forward. Two difficulties with a non-conceptualist reading of Kant’s aesthetics seem to be central: (...) the cognitive status of judgments of taste and the representationalist capacity of aesthetic feeling as non-conceptual mental content. I respond to these and additional objections and defend my overall non-conceptualist interpretation of Kant’s aesthetics against my critics. I argue that Kant’s aesthetics is highly relevant for the debate over whether or not Kant is a conceptualist. (shrink)

In his book Kant and the Problem of Self-Knowledge (New York, Abingdon: Routledge 2019, 214 pages) Luca Forgione argues that the semantic, epistemic and metaphysical analysis of Kant’s theory of self-knowledge is possible within the frame of a merely formal understanding of ‘I’. Although the author shows that for Kant self-knowledge is in fact knowledge of a formal thinking subject, there remains the difficulty that the formal analysis of self-knowledge entails the existence claim about the transcendental apperception. This claim is (...) incompatible, I argue, with Kant’s theory of the analytic and synthetic unity of apperception. (shrink)

The paper argues that in the Critique of Pure Reason Kant develops two anti-sceptical strategies. In the Fourth Paralogism (CPR A) he believes himself able to refute the sceptic by demonstrating that external perception is immediate. This strategy is rather unconvincing. In the Refutation of Idealism (CPR B) Kant promotes the material dependence of inner sense on outer sense. I show that Kant’s argument for material dependence has been widely overlooked, even though it is the strongest argument against external world (...) scepticism he develops, since it anticipates mental content externalism while preserving transcendental idealism and empirical realism. (shrink)

I present the arguments Hegel puts forward in favor of this rather challenging account of skepticism. In Section 2, I discuss the celebrated conception of “self-fulfilling skepticism” of the Phenomenology of Spirit that is supposed to overcome untrue types of cognition in order to promote “absolute knowing.” In Section 3, I debate Hegel’s more advanced view according to which genuine skepticism must be construed as dialectic.

We argue that the geometry of spacetime is a convention that can be freely chosen by the scientist; no experiment can ever determine this geometry of spacetime, only the behavior of matter in space and time. General relativity is then rewritten in terms of an arbitrary conventional geometry of spacetime in which particle trajectories are determined by forces in that geometry, and the forces determined by fields produced by sources in that geometry. As an example, we consider radial trajectories in (...) the field of a single particle expressed in the spacetime of special relativity. (shrink)

Martin Luther and doing theology in the future. The Netherdutch Reformed Church of Africa prides itself for the fact that she has always appreciated the German-Lutheran tradition. The Reformed Theological College has for 15 years contributed to the appreciation of this tradition. This article wants to encourage the new leadership to keep this legacy alive. The main aspects of Luther’s theology are explained. These aspects are: prayer, meditation, constitation, grace of the Spirit, exegesis, and the use of other sciences in (...) understanding the Bible. Attention is also given to the subject-matter of Theology as well as the notion of humbleness. (shrink)